The filming process was the easiest to execute to be honest, as it meant waving a camera around and there we go I have the shots. Ok maybe not quite like that, but it was way easier than the animation process, and more fun, that is why my piece has more physical film than animation in it. On the plus side I invited my friend around too to do the moves so, we spent the day together.
I had two locations that I filmed in, One being my back garden where I filmed the singular move shots, The other being my Tae-kwon Do class.

I made the set by combining three bed sheets I originally wanted the background to all be black, however I only had one black bed sheet so I decided to go for a bit of a weird design in that the top half was black and the bottom red. To do so it meant pinning up the bed shit on to something luckily for me my dad had been making a veranda which did not have a roof on yet so I pinned the sheet to the wooden support beam that went across the top, Then I noticed that you could see through the sheet, so I then put one of the red sheets behind the black giving it more solid colour, and also stopping it from being see through. I then draped the other red sheet over some wood that was lying around and then made it flat on the floor filling up the bottom of the set. The wind gently blew the sheets too which was a bonus as it added to the final effect.

I got my friend to come round and bring his full Dobok(the white suit) and perform the moves for me .
We used simple instructions for communication such as "recording" when I started recording then "1, 2, 3, go" to signal when he should move at which he left a second between go and him moving so that their was some room for editing, then he would perform the move and stay in the last position, at which point I would wait a couple of seconds again for editing then say "cut" and stop recording.
For my second set of shots I filmed in my Tae-kwon Do class where I wanted it to be as raw as possible, so I simply asked my instructor if he could run the class as normal and I could film like I was not even there.

As I only had one chance to film it meant that I could not get any experimentation in with the colour balance, lighting and angles, so the shots do have a bit of a yellow tindge but I can fix that easily in post production using colour grading built in to 'Premiere.'


I used the same camera set up as the first set of shots however, I did not use a tripod or mono pod this time, as the case may be becasue it was too big to take to the class, plus the set up would of made me more apparent leading to the students staring into the camera detracting from the raw feel I was aiming to achieve.
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